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On January 6, 2004, the Lower Manhattan Development Corporation (LMDC) announced its selection of a design for a memorial
at the World Trade Center site: “Reflecting Absence” by architect Michael Arad and landscape architect Peter Walker.
Intended as a solemn space where visitors can remember and honor the thousands of lives lost on September 11, 2001, and February
26, 1993, the memorial will feature three levels descending below ground and will provide access to the original foundation
of the twin towers. In this and other ways, the designers set out to create a powerful experience that will remove visitors
-- physically and emotionally -- from the city and everyday life. “The design strives to make visible what is absent,”
Michael Arad said. “The primary responsibility we have is to those we lost that day.” At street level, visitors
to the memorial will be greeted by a plaza filled with hundred of trees. The above-ground forest will stretch across one and
a half acres and have at its center two large voids -- cascading pools sunken thirty feet into the footprints of the twin
towers -- that will serve as open and visible reminders of the absence of those lost. Descending from the plaza level, visitors
will make their way down two switchback ramps, each as long as a city block, that will take them 30 feet below ground into
a central Memorial Hall. Here, the names of the victims from both terrorist attacks will be inscribed on low parapets encircling
each pool, listed in random order but with indicators beside those who were rescue workers. Memorial Hall, filling the space
between the reflecting pools, will offer a vast gathering place where visitors can sit and reflect and events can be held.
Descending further still, to the bedrock, visitors will be able to touch the jagged steel and rough concrete of the 70-foot
slurry wall that held back the Hudson River during the attacks. The box-beam columns that supported the towers also will be
exposed. Here, at the bottom-most level of the site, a room will be set aside for quiet contemplation. At its center, a mausoleum,
to be called Memorial Center, will house the unidentified remains of victims gathered in the aftermath of 9/11. A private
room, too, will exist at bedrock level, reserved as a space for victims’ families to gather and share their memories.
A visit to the memorial will conclude in the ascent back to ground level. In December 2004, the LMDC released schematic designs
created by the memorial design team, which includes Arad, Walker, and their teams, as well as Max Bond, a partner at Davis
Brody Bond. These schematics expand upon the early renderings unveiled when “Reflecting Absence” was first selected
and will contribute to the development of working drawings, which will set precise dimensions, specify materials, and account
for the engineering necessary to make two vast waterfalls function. Once the working drawings are complete, a mockup will
be built and tested in Toronto.

To raise funds for the memorial and oversee its construction, a diverse group of more than 30 distinguished
members was appointed on December 1, 2004, to serve as the board of directors for the World Trade Center Memorial Foundation.
Presidents Gerald Ford, Jimmy Carter, George H.W. Bush, and Bill Clinton each accepted invitations to serve as honorary board
members. The group, which includes corporate executives, victims’ family members, civic leaders, and philanthropists,
will work together to raise about $500 million for the construction of the memorial and cultural center on the site. The board
held its first meeting on January 5, 2005. Funds raised by the foundation will be applied toward the construction, operation,
and maintenance of the Memorial Center and the cultural facilities located at the World Trade Center site, as well as related
educational programs and commemorative activities. The cultural center will be comprised of two buildings incorporating dance,
theatre, museum, and fine arts facilities. In October 2004, Frank Gehry was chosen to design the performing arts complex,
which includes the Joyce Theater International Dance Center as well as the Signature Theatre Center. The Norwegian firm Snøhetta
will design the museum complex, which will house the Drawing Center and the International Freedom Center. The institutions
will host other events and organizations such as the Tribeca Film Festival and the Orpheus Chamber Ensemble. Performance spaces,
screening rooms, galleries, education programs, and rehearsal spaces also will be made available for community and cultural
uses.

Timeline:
April 28, 2003: After months of public hearings, the Lower Manhattan Development Corporation (LMDC) launched
an international design competition for the creation of a permanent memorial at the World Trade Center. In what would become
the largest design competition in history, 5,201 participants from six continents, 63 nations, and 49 states answered the
call to honor those who were killed in the terrorist attacks on September 11, 2001, and February 26, 1993.
November 19, 2003: The LMDC revealed eight finalists selected by a distinguished 13-member jury in a public presentation
and exhibition at the World Financial Center Winter Garden.
January 6, 2004: The Lower Manhattan Development Corporation announced its selection of a single design for a memorial
at the World Trade Center site: "Reflecting Absence" by architect Michael Arad and landscape architect Peter Walker. Two large
“voids” -- cascading pools sunken 30 feet into the footprints of the Twin Towers -- form the centerpiece of the
design, which also incorporates extensive landscaping in the plaza surrounding the voids and calls for the creation of an
underground center to house 9/11 artifacts and a cultural facility at the intersection of Fulton and Greenwich Streets. The
names of those who died on 9/11 will be listed on low parapets around each pool -- in random order but with indicators beside
those who were rescue workers.
December 1, 2004: A diverse group of more than 30 distinguished members was appointed to serve as the board of directors
for the World Trade Center Memorial Foundation. The group, which includes corporate executives, victims' family members, civic
leaders, and philanthropists, will work together to raise about $500 million for the construction of the memorial and cultural
center on the site. Presidents Gerald Ford, Jimmy Carter, George H.W. Bush, and Bill Clinton accepted invitations to serve
as honorary board members.
December 16, 2004: Expanding on the conceptual renderings unveiled when “Reflecting Absence” was first
selected, the LMDC released detailed schematic designs of the 9/11 memorial. The overall design calls for three levels descending
below ground, offering visitors access to the original foundation of the twin towers.
January 5, 2005: The World Trade Center Memorial Foundation board convened for the first time. Beginning in spring
2005, the board will launch a fundraising initiative to raise about $500 million and will later oversee the construction and
operation of the Memorial and Cultural Centers.
May 2005: A design for the World Trade Center Cultural Center, an interpretive museum that will house the International
Freedom Tower and the Drawing Center as well as an information center for the WTC site as a whole, was revealed. Created by
Norweigan architectural firm Snøhetta, the design calls for a horizontal building that seems to hover ethereally above the
ground, providing both protection of and a gentle entryway to the memorial that will honor the lives lost on 9/11.

December 2005: Scheduled unveiling of a final design for “Reflecting Absence.”
Early 2006: Scheduled start of construction for the memorial.
2009: Scheduled public opening of the memorial.

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